While Bruce did live in Liège for many years, and even sang at La Monnaie (the opera house here in Brussels), I don't think he'd seen much of this city, so it was nice to take him around to see different things in our current "home town" when we weren't working through some new roles for me, including "Valentin" from Gounod's Faust, or "Malatesta" from Verdi's Don Carlos, or tweaking "Count Almaviva" from Le Nozze di Figaro.
Bruce has been getting ready to sing "Sharpless" in Madama Butterfly out in Victoria in February, so we shared a couple of hours coaching with a repetiteur at La Monnaie, and I think I'll make a monthly visit to him, just to make sure the voice stays in the right place. That's something you really can't judge on your own, as I've told my family and many friends; the one thing you can't really count on as a singer is the sound of your own voice, as you don't hear it as the rest of the world does. Instead you need to sing by feel, or sensation, and have regular sessions with someone with a good set of ears to keep your sound at its best.
Some of the things we did included a visit to the antique market at the Sablon, a visit with our Canadian tenor friend Keith Boldt to Grand'place, and we even had a chance to go see an opera, the baritone version of Massenet's Werther here at La Monnaie on December 23rd. The visit to the Sablon was noteworthy because Bruce found an old engraving of La Monnaie that he could add to his collection. The shopkeeper lit up when he heard we were opera singers, and immediately put on a recording of "Casta Diva" from Bellini's Norma, sung by (who else?) the immortal Maria Callas. It was hard to get out of there on time, and on budget, with all of his enthusiasm for showing us engravings of famous actors and singers and musicians...
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The kids have been enjoying the time off from school, but we have been trying to keep them on a routine in preparation for their return to classes on Monday. Malcolm in particular has been reviewing his mots a retenir or "words to remember" in advance of his test this coming Wednesday, and he's doing very well. Duncan has been very active artistically, doing a lot of collage art, playing my guitar and singing his own rock compositions in his own patois of English/French/Duncanese, and even playing piano... he seems to be very interested in making music, and told me this morning that he wanted to be on the stage. We'll see if this is something that persists, and I'll be looking into music classes in the new year; the conservatory system here in Belgium is extremely well established, and music classes are paid for by the commune, so there's really no reason not to take the opportunity to teach both boys the rudiments of music theory, singing and an instrument.
That's it for now. Happy New Year to you all!
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