I forgot to post Duncan's school photos. He apparently didn't get the memo that it was a white background, so his shirt kind of disappears; I think he should have worn a darker one. I don't have a school photo for Malcolm yet; I'm not so sure that his school has a photo day scheduled for the lutherie students, but I don't see why they wouldn't. He'll inquire about it when he goes back after the holiday.
Saturn V rocket at NASA
Grandpa Zadow has been sharing some photos with us from Orlando; it would seem that both Duncan and his cousin are enjoying the time with their grandparents very much. We're looking forward to more photos and lots of stories when he returns next weekend.
I have had a busy time the last few days. Two days of preparation on Thursday and Friday culminated in our second performance of the Luther Mass in Brussels. Fortunately for the organisation's finances, there was a substantial crowd, and again the audience gave the ensemble a very enthusiastic reception.
I have had a busy time the last few days. Two days of preparation on Thursday and Friday culminated in our second performance of the Luther Mass in Brussels. Fortunately for the organisation's finances, there was a substantial crowd, and again the audience gave the ensemble a very enthusiastic reception.
I also managed to get some more work done on the Zadowcaster. I finished sanding down the heel of the neck, and have retouched it with cherry lacquer. The headstock decals have been applied, and the electronics have been screwed onto the body and soldered into place.
my headstock
body completed
Malcolm's bass headstock decal applied
Next all that is needed is to do a couple of light spray coats of clear lacquer on both headstocks and in my case the heel of the neck, and then I can bolt everything together, string it up and see what happens.
Prior to my guitar work and the concert on Saturday I took Maggie to the airport. It was a long flight to Toronto and then to Ottawa, but she made it to her parents' home without trouble. No pictures to post yet, as the weather has been too rainy and windy for her to get out in the canoe, but I see that the winds are back down to 10-15km, and the sky should be clear today. Unfortunately the temperature there is currently three degrees celsius, so I don't know how much canoeing she's going to do!
The race was on Sunday and it went pretty well for me: I finished 61st out of 104 in my age category. I made a good time (for me) of 2h40m for the 27-28km, and managed to avoid any knee tendonitis pain. Unfortunately it was Lawrence's turn to drop out this time, as he had a nagging calf muscle problem that forced him to stop around km 12.
goofing off early in the race
hill climbing in the last 6km
I think that's pretty much it for my running season; I haven't registered for anything else. Of course I plan to keep up with training runs, but I think the longer races won't happen until next spring.
what's on deck for the next couple of months
I received some happy news this week, that I will sing two Bach Cantatas on December 17th at the Minimes. These will be my fourth Cantata with Philippe Gérard conducting, and my twenty-first and twenty-second cantatas with the Minimes. Julius has already said that there are more coming this season, so I'm feeling very lucky. That means that my schedule has tons of Bach in it, as well as Mendelssohn and Brahms (both of whom idolised Bach):
- December 1st and 2nd: Mendelssohn Paulus
- December 9th: Bach Weihnachtsoratorium
- December 17th: Bach Cantatas BWV 36 and 61
- March 23rd: Bach Johannespassion
- March 25th: Bach Johannespassion
- March 26th: Bach Johannespassion
- March 30th: Bach Matthäuspassion
- March 31st: Bach Johannespassion
- May 6th: Brahms Requiem (Toronto)
As you can see there are some empty spaces in the schedule at the moment; in particlar there is a pretty quiet January and February; These are good times to audition for more opera, I should think.
As for projects that are in development but not yet confirmed, I think that Lisa and Daniel and I will try to perform the Love and Marriage programme again this coming Valentine's Day; we will pitch it as an event to the American Women's Club of Brussels, as most of the music is from Broadway. Bruce and I are trying to arrange another performance of our No Tenors Allowed programme in Ontario while I'm back to do the Brahms in May.
As well my friend Korneel Bernolet - an amazing Belgian harpsichordist and conductor who regularly assists quite famous french conductors, and has a respectable recording career - has asked me about doing some Schubert lieder on a historical square piano from 1810-1825 that he is having restored. That would be very interesting: we usually hear Schubert played on a modern piano, but these instruments didn't really exist as we know them today until quite a bit after Schubert. The cast-iron-frame grand piano harp wasn't patented until 1825, and so it seems likely that for those Schubertiade evenings, Schubert and his fellow lieder enthusaists heard something quite different as they played his songs for the first time on those older instruments.
I had a chance to sing a little bit of Winterreise last month at Ayman Jarjour's benefit concert, and I am eager to have a crack at the rest of the cycle. If I can keep it together emotionally, that is... The opening song is one of the most moving things that I have ever heard. The text in English translation (by Celia Sgroi):
As for projects that are in development but not yet confirmed, I think that Lisa and Daniel and I will try to perform the Love and Marriage programme again this coming Valentine's Day; we will pitch it as an event to the American Women's Club of Brussels, as most of the music is from Broadway. Bruce and I are trying to arrange another performance of our No Tenors Allowed programme in Ontario while I'm back to do the Brahms in May.
As well my friend Korneel Bernolet - an amazing Belgian harpsichordist and conductor who regularly assists quite famous french conductors, and has a respectable recording career - has asked me about doing some Schubert lieder on a historical square piano from 1810-1825 that he is having restored. That would be very interesting: we usually hear Schubert played on a modern piano, but these instruments didn't really exist as we know them today until quite a bit after Schubert. The cast-iron-frame grand piano harp wasn't patented until 1825, and so it seems likely that for those Schubertiade evenings, Schubert and his fellow lieder enthusaists heard something quite different as they played his songs for the first time on those older instruments.
I had a chance to sing a little bit of Winterreise last month at Ayman Jarjour's benefit concert, and I am eager to have a crack at the rest of the cycle. If I can keep it together emotionally, that is... The opening song is one of the most moving things that I have ever heard. The text in English translation (by Celia Sgroi):
1. Good Night
I came here a stranger / As a stranger I depart / May favoured me / With many a bunch of flowers.
The girl spoke of love / Her mother even of marriage / Now the world is so gloomy / The road shrouded in snow.
I cannot choose the time / To begin my journey / Must find my own way / In this darkness.
A shadow of the moon travels / With me as my companion / And upon the white fields / I seek the deer's track.
Why should I stay here any longer / So that people can drive me away? / Let stray dogs howl / In front of their master's house.
Love loves to wander / God made it that way / From one to the other / My dearest, good night!
I don't want to disturb your dreaming / It would be a shame to wake you / You won't hear my step / Softly, softly the door closes!
I write in passing / On your gate: Good night / So that you may see / That I thought of you.
Here is a gorgeous performance by the German baritone Thomas Quasthoff, and the Argentinian/Israeli pianist and conductor Daniel Barenboim. What kills me every time is the impossibly gentle and poignant transition at around 4:18. Trust me, wait for it... you won't be disappointed.
Tonight Malcolm and I have been invited to dinner with Benoit and Sophie and Matteo in Brussels; they want to catch up with him and show some of their vacation photos. Today Malcolm and I are going to continue our dismantling of furniture and the building of an "airlock" structure over the top of the staircase on the top floor. I want to do my best to limit how much dust falls into the rest of the house during the attic demolition and roof replacement. Photos to follow...
















































