I had an eventful day today, and experienced Brussels weather directly as I was rained on this morning... I didn't let it dissuade me from going swimming, and somehow found a groove, so that I was able to do 120 laps / 3 km in 77 minutes, a new record for me. I'm a little bit sore in the shoulders and ribs but I really feel like my form is improving and I've found a good rythym for long-distance swimming; I hope to do the same later in the week.
I found a newish Yamaha classical guitar in the trash the other day; it had obviously suffered some injury and the headstock needed to be glued back in place. The only missing piece was the "nut" - that little piece of bone or plastic at the end of the neck that the strings pass over before they get wound around the tuning pins - and so I went to Ben's guitar repair shop to pick one up.
After paying 50 cents for a cheap plastic nut, we got to chatting (big surprise there) and I started to try out some of the guitars he had on display. Apart from the several resonator guitars on the wall (that made me think of Ophelia, my 1934 metalbody resophonic, resting safely back in Canada) he had a few arch-top guitars. One was an 1950s-era german-made model that was out of my price range, but in excellent shape and full of great tone. Another was a new-ish Ibanez art-core guitar.
As it happens I bought a similar model last year at the St. John's School sale, and after playing it for a while, adjusting the action and changing strings realized that I just didn't like it. I liked the feel and sound of this one, however, and asked about it. The owner was wanting to get rid of it, and when I suggested a straight swap, Ben telephoned him and arranged it. So in place of this:

I now have this:

...and am much happier for it. Duncan went along with me to make the trade, and loved poking around in the shop, which is filled with harp guitars, some of which Ben himself has built. I have no need for pickups since I'm just playing in the living room, for pleasure only, and this model is a little larger and has a more satisfying colour to its sound.

I mentioned in an earlier post about BL!NDMAN, the music collective based in Flanders, and it looks like I'll be singing with them a bit in the coming months. There's a new programme of music being developed, and so there will be a world premiere in the programme as well as much music ancient and modern. I'm quite excited to be singing Bach and Buxtehude as well as Webern and
Saariaho in the same concert, and doing so in Antwerp, Bruges, Brussels and Amsterdam.
But that's not all that's happening musically. Sunday night I went over to Peter Tomek's to sing and play through
Die Schöne Müllerin of Schubert, and quite surprisingly, although I haven't really looked at the piece since Dina Namer and I performed it in the summer of 2006, I was able to sing the whole thing through without the music, using only the text of the poems as a guide. Peter and I are both very excited about the chance to do this cycle, so we are looking around for other places to perform it: his
diplom from the Vienna conservatory is in lieder interpretation, so this kind of music is as dear to his heart as it is to mine. After witnessing his first reading of the music I can't believe he's never performed it before... we are looking to present the cycle in April or May here in Brussels, and elsewhere (in Flanders, the Netherlands or perhaps Germany or Austria?) if we can. Likewise, Dina and I are keen to do it again in Canada, and are following up some leads for the summer of 2010 and beyond.
I've also confirmed a recital at the Cathedral Church of St. James Anglican in downtown Toronto in February with Andrew Ager, during the same period that I'm back in Canada to do the Broadway revue with the Mississauga Choral Society. We're hoping to do a mostly Belgian programme, since he wants to do Widor, who studied in Brussels, and I've suggested César Franck; Bruce has lots of Belgian songs from his time spent studying at the Liège
conservatoire so together we should be able to find something appropriate. As well I've already had some positive response to my request for auditions, so my time in Canada in November/December is already filling up quite a lot, and it looks like much of December will be spent in lessons with Bruce, coaching with Don Tarnawski, auditioning and rehearsing with Andrew for the February performance. In case anyone reading this is interested in coming to hear me sing, for a complete list of my performance schedule, click
here.
Speaking of Bruce, he's finishing up a run of
La Traviata with Pacific Opera Victoria, and by all accounts his characterization of Germont is very moving, and the show is a big hit, with a very good cast. I'm really very lucky to have as a mentor someone who can still be developing, still giving fresh, genuine interpretations of new roles after forty years on the stage... I want to tell other singers starting out, to look for the ones who practice what they preach, and have the technique and the stability to keep perfecting their craft for a lifetime, for the love of art and a taste for the continuous pursuit of the next, more nuanced, more true performance. In this modern world of celebrity (a phenomenon that is, in my opinion, artistically empty, and to be despised) this type of mentor is rare, so keep your eyes peeled for the real McCoy...
Tomorrow is a short day for the kids, and its also the day that
La-Haut! opens here in Belgium. In case you don't know the french title, that would be the newest Disney-Pixar film, entitled "Up!". I saw this picture in Canada last spring, but the kids have been waiting patiently for it to open here, and Maggie and I are taking them to see it in digital 3-D. The children here have recently been going crazy for a promotion that the grocery chain DelHaize has been offering, that involved a gift of five Disney/Pixar trading cards for every 20 euros spent. The machinations and intrigue involved in amassing a full set of all two-hundred and something cards have been byzantine in their complexity, but we are happy to say that we lack only five cards, and Malcolm decided finally to purchase them online for 20 cents each, to complete the set. Talk about a good bit of marketing; now all Belgian children can't wait to see the newest movie, to see the characters they've been obsessed with for weeks...
We have houseguests this week: our friend Diana Lui is an artist, photographer and film-maker, and lives in Paris. She and her camera"man" Marion are staying with us this week while they are in town, filming the "Miss SDF" pageant. This is an unusual project funded by the Flemish community here in Brussels, that means to take homeless women off the streets, help them get stabilized and organized, and hold a competition, like a more realistic version of a beauty pageant. The winner receives free housing for a year, and very generously this prize is extended to all the finalists, so it really will make quite a difference in the lives of these women. For more information about this programme (although I don't think it's available in English) click
here.
Happy Tuesday!