The rehearsals have been going well, although there are a lot of them. I haven't done a staged operetta in a few years, not since Fledermaus for Opera York in 2012 or so, and I had forgotten how wordy they can be... The last big stage work with spoken text that I did was Sweeney Todd at La Monnaie in 2015, and I only really had one scene of dialogue to memorise so that was a snap. This show includes Calchas in nearly every scene, and there's quite a lot of dialogue to memorise, not to mention the dancing. But my Offenbach experience in La Grande Duchesse is standing me in good stead: some of the sudden changes in the ensembles can really catch you by surprise if you aren't already thinking ahead to the new tempo. Actually 'think' is probably the wrong word to use; it's more, 'trusting' than 'thinking'.
Last night I went to see Stravinsky's The Nightingale and other fables at the Four Seasons Centre. I missed Robert Lepage's staging when it first came around and when the conductor of our show announced that a friend of his had a spare ticket I took it.
Really it was a great pleasure; the calibre of singing was very high, especially Jane Archibald, Owen McCausland, and Lauren Eberwein... these actors also had to operate marionettes at the same time that they sang; this was magical to watch, and the orchestra pit was filled with a pool of water, so you can imagine the effect...there was also a troupe of acrobats, and hand shadow puppeteers whose effects reminded me a bit of those in Lotte Reininger's 1920 The Adventures of Prince Achmed. Lepage is an absolute genius. Here's a review of the original production in 2009...
The rehearsals today were cancelled, because Toronto is worried about snow and freezing rain... so I had an extra long sleep-in, followed by an longer swim, of 2,1km, which took about 40 minutes. Then I did some vinyl shopping at the Riverdale Trading Company, near the pool, which was playing Christmas records to celebrate having such weather in April. After a good chat with the owner about the relative merits of Memphis vs. Las Vegas Elvis, I came home and did some kindling splitting with the new maul, and gave Bruce's snowshoes a little test drive. Then it was inside to light the fire and listen to a record or two while I made some chicken soup. Bruce's Jøtul stove here has an even stronger draft than ours; the chimney must be larger or perhaps it is a little taller. It works wonderfully, and the living room was soon very warm.
While the soup was simmering I took the opportunity to review my staging in the living room, and see where there are any gaps in my memory. There are places where I am still tentative and need to review the steps or the movements, and the ensembles need regular review if they are going to be crisp.
Tonight I heard from my friend Shannon Mercer that she was singing some new music at Koerner Hall with the Esprit Orchestra. She had some comp tickets that she was offering, undoubtedly newly made available because of the unusual weather. I took the TTC and just barely made it on time...
Koerner Hall has been open for a few years already, but I've never had a chance to see the inside of it before. It's nice; lots of light-amber-coloured wood, as so many recently built opera houses and concert halls seem to be finished with. It seats around 1135 people, which is very close to the size of Brussels' Theatre Royal de la Monnaie, but it seems a bit smaller. The acoustic was very good, but despite the stellar rating the hall has received by acousticians, to my ears it is perhaps not quite as clear as the Four Seasons opera house. But in any case it was nice to hear Shannon in performance again.
I left at the half though as I am feeling pretty tired. I still need to finish reviewing my staging and words tonight and again tomorrow in advance of the rehearsals, and I need a good night's sleep.
16 april
Last night I was awakened by the chainsaws, and went out to talk with the Hydro guys who were cutting up a fallen tree across the street. As it was a city tree they told me I could take the wood, so in the middle of the freezing rain I got dressed and dragged a bunch of large limbs across the street and up Bruce's driveway. When the weather dries out a bit I'll chainsaw, split and stack it.
I just got back from a casting audition: Jigsaw Casting was looking for a 30-40 year old opera singer who didn't really look like the caricature image of an opera singer. I went in with two lines to memorise, and sang music of my choice. Of course I chose Largo al factotum from the Barber of Seville, and the toreador song from Carmen... no callback, so I guess they found someone else. Oh well!
18 April
Just on a dinner break now. We have pretty much run the show a couple of times with a few skipped sections... we lost an entire day because of the ice and snow earlier this week, so we've been playing catch-up... after tonight's rehearsal we are off tomorrow and I for one am going to sleep in! I'm vocally very tired; the dialogues are always fatiguing for me, so I need some rest. We have another run in the reheasal space on Friday and then we're in the theatre.









