It's raining most of this week in Belgium, so I'm inside catching up on a blog post.
School has finally finished for the year. The last day with the students was Thursday the 17th of June, and it's taken me almost a month to even think about sitting in front of a computer and writing anything. There have been lots of other things to keep me occupied since classes ended, but I was also just bone-tired. But now I actually have some free time on my hands to recharge, and so I'm free to write for the first time in almost two months. Maggie and I are house-sitting at the Hammer's while they are away on vacation until the end of the week.
The last week of May was completely nuts, filled with regular classes, lunchtime lessons, and rehearsals for our musical "13" after school until 19:30 every day, as well as the last recording session on Saturday the 29th. We finally managed to wrap all of the filming by 16:00; my work as musical director was basically over, and it was up to Thom Graham to do the film editing.
Then I had a few days to get ready for the "Groove School" workshop the following week. This involved a visit from James Williams, another professional musician, based in Antwerp, who would come and help lead the grade eight music students through a two-day music camp. Given the fact that I had around 40 kids in grade eight, and only about a dozen of them played instruments, I opted to have the instrumentalists work with James, and I would work with the rest as vocalists. I spent a lot of time trying to come up with a good schedule for the two days so that the students were all together for some periods, and also broke out into two groups at other times.
We ran into a big snag the night before James was supposed to arrive, when he submitted the school's version of the COVID passenger locator form. His wife and infant child had some COVID symptoms! They were eventually to test negative, and that would normally have been enough for him to enter the campus, but the school had extra protocols in place, and demanded a negative test from James as well. There was no way that he could have received the results in time to attend the first day of the camp, and so I had to make a decision: cancel it and shove those students back into their normal rotation at the last minute, or try to lead the workshop myself. I chose the second option, and girded my loins for a difficult day.
Fortunately the two songs that I chose were relatively easy: "Mustang Sally" and Katy Perry's "Roar", but even with relatively easy material, leading forty kids by yourself all day is tough, and I was totally exhausted by the end of the first day. When James' negative test came in that afternoon I was very happy to hear that I would not have to do the second day solo as well. In the end it was a very positive experience, and we did a performance on the stage of the theatre with two drummers, two bassists, two guitarists, a violinist, some percussionists, and the vocalists singing three-part harmonies. Success!
Once that was finished I began completing my evaluations for the year. I ended up marking the recorded (which meant listening and watching to videos in real-time) and written assignments, and then writing indvidualised report card comments for around 100 students. The last weekend before the reports were due I worked full-out: it involved a late night on a Friday after a full day of school, then a twelve hour day on Saturday, and then I worked straight through from 10:00 on Sunday until 3:45 the next morning! I haven't pulled that kind of an all-nighter since I was a student myself. But in the end they were finished and sent off.
The last week of school was mostly spent getting two other rock bands ready to play at the end of year assemblies: one group from grade six, preparing the White Stripes "Seven Nation Army", and my grade ten class that had prepared "Boulevard of Broken Dreams" by Green Day. On the day of the assemblies I came in at 8:00 to get the drum kit, amps, guitars, stage piano, and P. A. system set up in the courtyard, and we were just able to do our sound check before the first assembly kicked off.
It all went off really well for the first group, my superstar grade sixes. The lead singer is a private singing student of mine, and she performed beautifully, while the the three boys who played bass, guitar, and drums were fantastic. This was particularly satisfying because those three are often cutting up in class and many of the teachers find them hard to handle. The fact that they could use all of that energy on stage made the teachers see them in a very different light.
Then we started to set up for the second assembly for the high school, and the grade ten drummer got overwhelmed with nerves and went A.W.O.L.! I had to run up to the middle school at the last minute and grab the grade six drummer out of his class. As we walked I explained the song rhythm to him, and then told him that I would conduct him from the front row, saying, "watch me". He did! It was really amazing and they played very well. The director of the school was so impressed that she even sent the drummer a thank-you note.
It looks like next year they want me to expand instrumental music even further, so I am in the process of deciding which instruments to buy, and what next year will look like from a curriculum standpoint.
No sooner were we done with our own school responsibilites that Duncan and Malcolm's graduations unfolded. Malcolm's was an extremely small affair with only a dozen or so students. We had to sip our prosecco at our own table and stay masked otherwise while they received their diplomas. It's hard to believe that he's finished the four years of study and is now a luthier! His teachers were very compimentary about his enthusiasm and committment, and the independent judge who came to see the graduates' work commented that he was the most audacious builder among the students this year, making a lot of creative and imaginative choices, and was clearly not satisfied with just making a copy of some historical instrument.
Duncan was successful in obtaining his CESS, or secondary school diploma, after a lot of studying near the end of the year. His graduation was a big affair with the entire class and their families outside in the courtyard of their school, and his professor of guidance was there to give him his documents. Congratulations Duncan! He also had another success: he tried out again for the Paratrooper Junior summer camp that happens later in July, and to his surprise and delight he was accepted!
I've also been enjoying playing around with my 50th birthday present: the archtop guitar that Malcolm has been building for me as a side project for the last year and a half. He finished it in time for his juries and I've been getting used to it. It's a beautiful guitar, and the sound is great.
I've also received some news of performances: the first is scheduled in October with my old friends the Minimes, doing the Hunting Cantata (which was one of the first I performed in Europe) and a debut for me, the Coffee Cantata. This is a secular work that is all about the joys of drinking coffee, and has three characters: a tenor narrator, the bass Schlendrian, and his soprano daughter Lieschen. Schlendrian is very concerned about his daughter's misbehaviour, and attributes it to her addiction to coffee, which at the time of the cantata's writing was a controversial drink. His threats and pleas are unsuccessful until Lieschen finally agrees to settle down and get married, as long as her new husband agrees to keep her well supplied with coffee. Happy ending. It's the closest thing that Bach wrote to an opera, and I've been wanting to do it for a long time.
As well we are in discussions to do the Coffee Cantata again at St. John's the week after the first performance, as a sort of educational concert, this time paired up with the famous BWV 140 Wachet auf!. That cantata is the one with the tenor unison melody in the middle movement that is familiar as a hymn tune. I'm thinking that I could have the music students learn that chorale melody and perform it with the Minimes choir and orchestra.As luck would have it, the Minimes concerts conflict with another two concerts that I've been offered, and I won't be able to do both! The same is true for the Concertgebouw Amsterdam concert in March: it conflicts with a Johannespassion in Brussels, so I will probably have to let the Brussels performance go. That's just how it goes: no gigs for months and then the first few conflict with each other.
I finally got the fence completed, and so the chickens are allowed to wander in the garden without fear that they will cross over into the next yard. I haven't really had any time to plant anything this year, but might still put runner beans or snow peas in next to the fence. But we are not without something to harvest: with the warm weather and lots of rain this spring and early summer the currant bushes were prolific, and Maggie collected something like seven or eight kilograms' worth of red, white, and black currants. Most of those have been frozen until we decide what to do with them.
It's probably good that this is happening now, however, because it gives Malcolm and Duncan some time on their own together. At the end of June we moved Malcolm back to our house, and he's been working to set up his lutherie atelier in the basement, hanging pegboard and installing new lights and electrical plugs to make it a brighter workspace. Duncan is planning to go to ULB in Brussels in the fall to study Psychology, so it's good that he has a taste of sharing accomodation with another person, alternating the cooking and cleaning up, and so forth.
On the COVID front, both Maggie and I have received our second vaccinations, and the boys have had their first ones. We're hoping to get to our friends' country house for a week in Portugal in early August, and then we start up at school again with a musical theatre camp on the 16th August, and classes resume the following week.
Okay, that's all I've got for now. Happy summer everyone!

















